PALINODE IN A LOST CITY
When I touched her / here she said I made her / imagine
what I could do / with a pail / of salted fish / I
paled / the green from this city / dreamt
of my five fields / flooded & swarmed / what
does it mean to stand nameless / on the pier / her language
weaponed into something / I can’t touch / I
am most dangerous wielding / a pressed blouse
I pressed my ear / to the belly / of the minivan because
I wanted / to be saved / because I was thinking
about all the names / that came / before mine
in Beijing / my mother passed / the gourd of water
from shoulder to / bared throat I walked into / room
after room / the hours / swinging shut / the house
rebuilding itself floor / by floor / no one / remember
the last thing my mother said / before I left / no one
remembers. I listen for the place your voice fails.
Who said anything about being forgiven? I am most
forgivable with my daughters crowned & Sunday
I call my mother to tell her about the slippers I’ve misplaced
wandering from theater to theater in search
of a face like mine thundered cliffside, but even the emptied
fish know better than to hope. The line winds
around my fist. The line orange grace, good ocean. The line
I spit fish bones into any face that could be mistaken
for my father’s. Look. I remember the talon of the dead
bird hurt in your voice, most loveable in pieces:
eyelash, big toe, widow’s peak. That day, as I pulled
away from the curb for the new city, my mother told me
that all she had wanted was a daughter. Just not me.
All I want is the fall of your name against mine,
the city broken before it was flooded, the stoplight
toppled red & haunting over the intersection.
When I touched you here you said I made you imagine
if I walked out of this city & the one
before that, what would be left.
BROADCAST ON GHOSTS
So this is the parable that bleeds my hands
out of dust. & the night slackens. & the girl
slips into the tree, out of sight. How many drums
can I translate out of my mother’s bones?
The girl & the song on repeat. The girl
& the radio counts backwards from the sea.
If I sing the children out of the cove. If the streets
wind around my fists. This story, too wide
to fit on television, on the rearview mirror,
Highway 101, dawn & California. No birds,
no song. Here’s the story where everything
is perfect, but you forget my face. The story
where the radios are soundless & every color
I’ve ever touched turns to wind. The story
where the girl slips out of the forest unseen
& the children drown in miles of sand.
It’s raining now. The headlights are broken
& the coffee is bad & you hate the color
of the moon. I remember the movie
where the plane crash-lands somewhere,
Idaho. The movie where the girl grows silicon
from her teeth & builds a telephone from scratch.
The call connects just as the screen fades
to black. I remember. You were crying
& then the radio turned to static.
LILY ZHOU is a freshman at Stanford University. Her work appears or is forthcoming in POETRY, Best New Poets 2017, Tin House, Sixth Finch, Vinyl, Asian American Writers’ Workshop, and The Adroit Journal. She has been nominated for Best of the Net and the Pushcart Prize.